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UID:153@seas.ro
DTSTART:20250822T180000Z
DTEND:20250822T204500Z
DTSTAMP:20250708T102140Z
URL:https://seas.ro/en/e/the-glass-garden-2/
SUMMARY:The Glass Garden
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 eading text="The Glass Garden\, dramatization by Mariana Onceanu\nBased on
  the novel of the same name by Tatiana Țîbuleac\n" use_theme_fonts="yes"
  css_animation="fadeInDown" css="" el_class="decorated align-left"][/vc_co
 lumn][/vc_row][vc_row][vc_column width="1/2"][vc_column_text css=""]Produc
 er: Mihai Eminescu National Theatre\, Chișinău\n\nDirector: Petru Hadâr
 că\n\nSet Design: Adrian Suruceanu\n\nCostumes: Stela Verebceanu\n\nStage
  Movement: Oleg Mardari\n\nOriginal Music: Valentin Lindo Strișcov\n\nVid
 eo Design: Radu Zaporojanu\n\nDuration: 2h 40 min (with intermission)\n\nR
 ecommended age: 14+[/vc_column_text][/vc_column][vc_column width="1/2"][vc
 _column_text css=""]Synopsis: The novel The Glass Garden by Tatiana Țîbu
 leac deeply unsettled me and pulled me out of my inner comfort zone. It ma
 de me see the world from different perspectives: I felt the bitterness in 
 the mouth of an orphaned child\, the fears of a woman struggling with her 
 femininity\, the emptiness in the soul of someone desperately searching fo
 r identity. This confession\, sometimes erupting in fury and cruelty\, som
 etimes shifting to lyrical meditation\, other times dissecting details met
 iculously or biting with irony\, forces you to ask: by what miracle does a
 n abandoned\, unloved child\, raped in adolescence\, become a good person 
 capable of loving and giving love?\n\nTaken from an orphanage\, named Last
 ocika (Swallow)\, raised by a Russian woman in a Chișinău dominated by t
 he Russian language\, where the courtyard was a battleground\, the orphan 
 grows up yearning for love\, understanding\, and cultural anchors with whi
 ch she might identify. The maternal language\, Romanian\, keeps her rooted
  in her cultural and identity heritage and opens a path toward connection 
 with the free world.\n\nI believe the destiny of Lastocika - Swallow - spe
 aks to many of us. On a larger scale\, I can’t help but think it’s als
 o about Bessarabia - the land of Moldova below the Prut. The performance o
 ffers no answers\, just as the novel doesn’t. And we hope\, like the nov
 el\, it will foster empathetic connections and provoke reflection.[/vc_col
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  image_border_radius="0px" project_icon_border_width="0px" include="360\,3
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LOCATION:Casa de cultură\, B-dul Alexandru Lapusneanu nr. 1\, Constanta\, 
 Romania
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 nr. 1\, Constanta\, Romania;X-APPLE-RADIUS=100;X-TITLE=Casa de cultură:ge
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